Sybarite5’s Collective Wisdom featured as Record of the Week on CBC’s In Concert On Demand
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Valerie Coleman’s Revelry: II. War from Decoda featured on Spotify’s ASCAP New Music Friday
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Valerie Coleman’s Revelry: II. War from Decoda featured on Spotify’s Classical New Releases
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Wiliam Bolcom’s Three Rags: Incineratorag from Decoda featured on Apple Music New in Classical
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Are We Dreaming The Same Dream debuts at No. 2 on the Traditional Classical Charts
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Are We Dreaming The Same Dream featured on WNYC New Sounds
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“Subtle tosses of the voice suggest that even through such emotional turmoil, all might not be lost. Percussive rhythms then slowly build to a frenzy. Even amid the deepest blues, these performances seem to say that there is always a bright side. All one has to do is dance.”
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“Stewart buttons the album with one of his own compositions. We Who Seek is a five-minute ear-tease combining rap and electronics with samples from Perry’s psalm setting.”
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Flute Sonata In D major Op. 94: III. Andante featured on Amazon Music - Classical Flute.
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Por mon cuer a joie atraire from Alkemie’s Love to my Liking featured on Apple Music Early Music.
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“…American Counterpoints is accordingly bittersweet, celebrating in Perry’s birth-centenary year the prowess of both composers in interweaving quasi-tonal lines and rich textures to create distinctive and highly inventive, abstract modernist music.”
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Por mon cuer a joie atraire from Alkemie’s Love to my Liking featured on Apple Music New in Classical.
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All Consuming from Are We Dreaming The Same Dream featured on Tidal’s The Avant Garden.
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Wiliam Bolcom’s Three Rags: Poltergeist from Decoda featured on Spotify’s Classical New Releases
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Love to my Liking featured on qobuz’s front page, as well as Apple Music New in Classical, and TIDAL’s Classical New Albums Store Pages.
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“Kinds of ~Nois is issued under the quartet's name, but it's as much a Kinds of Kings project and a collaboration that flatters both parties.”
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“~Nois, a saxophone quartet of Northwestern University alums, is a welcome blast from the past.”
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“On this splendid recording, violinist Curtis Stewart and Experiential Orchestra Music Director James Blachly make compelling cases on behalf of the composers and the enduring value of the work they produced.”
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“It is a fine example of the sober yet seething angularity of its era, leavened with warm strings and hints of Coplandesque expansiveness.”
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BIG TALK, from Kinds of ~Nois featured on Spotify’s The Sounds of African-American Music
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