Count Me In, from Kinds of ~Nois featured on ASCAP’s New Music Friday
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Strands from Are We Dreaming The Same Dream featured on Spotify’s ASCAP New Music Friday
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Kinds of ~Nois debuts at #1 on the Billboard Classical Crossover Top 100!
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Blythe Gaissert’s Home featured on Spotify’s Melody Madness
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Sybarite5 has reached over 1 MILLION streams!
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“it's a disc of musical discoveries, conveyed in compelling performances and warm, close sound.”
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“~Nois’s rich ensemble tone and dexterous rhythms serve the music quite well. One can readily hear that a lot of preparation was put into Kinds of ~Nois, as the performances are note-perfect and assuredly interpreted.”
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BIG TALK and Hazel, from Kinds of ~Nois featured on ASCAP’s New Music Friday
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E, bone amourette / La rotta della Manfredina, from Love to my Liking featured on Spotify’s The Edge of Classical
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American Counterpoints by The Experiential Orchestra, James Blanchly, and Curtis Stewart debuts at #3 on the Billboard Traditional Classical Charts
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James Blanchly and Curtis Stewart interviewed by Julie Amacher for YourClassical about American Counterpoints.
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Gemma Peacock’s Dwalm from Kinds of ~Nois featured on New Sounds, hosted by John Schaefer.
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“There aren’t too many albums, however good they might be, that make me stop everything all at once to listen to a second time. This is that album.”
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American Counterpoints featured on Tyler Klien’s Modern Notebook
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“American Counterpoints shines a much-deserved light on two important, and thankfully rediscovered, figures in American classical music.”
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American Counterpoints featured on Apple Music’s New In Classical and Tidal’s Classical New Albums.
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Coleridge Taylor’s Sinfonietta No. 1, from The Experiential Orchestra’s American Counterpoints featured on Tidal Encore: New in Classical.
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Count Me In, from Kinds of ~Nois featured on Apple Music’s New In Classical.
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Count Me In, from Kinds of ~Nois featured on Tidal The Avant Garden.
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Coleridge Taylor’s Louisiana Blues, from The Experiential Orchestra’s American Counterpoints featured on Tidal Encore: New in Classical.
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