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Merz Trio

Release Date: August 20, 2021

Award-winning Merz Trio’s debut album "Ink" centers around Ravel’s iconic piano trio interwoven with the trio’s new arrangements of works by Lili Boulanger, Nadia Boulanger, Josephine Baker, and Claude Debussy. Rounding out the album is the music of Mélanie Bonis, a Ravel-inspired composition by Merz pianist Lee Dionne, and readings of texts by Parisian writers and poets.

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TRACK LIST

1) Account of Charles Peguy's Last Day in Paris (excerpt)
2) Sous les Ponts de Paris (1913) - Arranged by Merz Trio
-Vincent Scotto / Josephine Baker
3) Summer Evening (excerpt)
-Anna de Noailles
4) D’un Vieux Jardin (1914) - Arranged by Merz Trio
-Lili Boulanger
5) Kiosks (excerpt)
-Léon-Paul Fargue
6) Piano Trio in A Minor (1914): I. Modéré
-Maurice Ravel
7) Preamble (A Rough Draft For An Ars Poetica)
-Jean Cocteau
8) Zortziko / Fandango (2020)
-Lee Dionne
9) Piano Trio in A Minor (1914): II. Pantoum: Assez vif
-Maurice Ravel
10) Now the Rain (excerpt)
-Alain-Fournier
11) Matin,' from 'Soir / Matin,' Op. 76 (1907)
-Mélanie Bonis
12) Heures ternes (1910) - Arranged by Merz Trio
-Nadia Boulanger
13) Piano Trio in A Minor (1914): III. Passacaille: Très large
-Maurice Ravel
14) The Prose of the Trans-Siberian (excerpt)
-Blaise Cendrars
15) Piano Trio in A Minor (1914): IV. Final: Animé
-Maurice Ravel
16) La Petite Auto (excerpt)
-Guillaume Apollinaire
17) I Write for the Day (excerpt)
-Anna de Noailles
18) La plus que lente, L. 121 (1910) - Arranged by Merz Trio
-Claude Debussy

ABOUT MERZ TRIO

Hailing from opposite corners of the globe, Merz Trio's members can only agree on two things: (1) how to pronounce the word ‘Merz’ in a faux German accent, and (2) that shopping for concert clothes should be classified as a form of torture. The Trio met in the middle of a snow storm in NYC in December 2016; hilariously - and gloriously - we now spend the majority of our lives together, rehearsing, traveling and arguing: usually over music and whether Australian English is better than American English. Together, we’ve walked onto stages around the world and are humbled to have been recognized as Winners of the 2019 Concert Artists Guild and Fischoff Competitions and 2018 Chesapeake Competition.

But whether concerts or competitions, large or small, the most thrilling thing about all of these experiences is the energetic communities that have emerged from them. Merz Trio loves to be in community with others. We love talking and getting carried away - in the rehearsal room, on stage, after the concert. We understand what we do as a conversation between ourselves, the composer, our audience, and the changing world we step into each day. Our name, Merz, speaks to this: It’s the term coined by German artist and polymath Kurt Schwitters, who once floor-to-ceiling decorated his parents’ house in Hanover with found objects and insisted that art only occurred in shared spaces. So Merz refers to connection, to sharing, to possibility. And yes, we’re very glad Schwitters didn’t live with us.

Our rehearsal room is a noisy fusion of our interests: Music of all varieties, literature, theatre, cooking, dance, running, unnecessarily snobbish ideas about beverages. We love this messiness. We play in living rooms and large halls; galleries and schools; black box theaters and crypts. There are very few places we don’t feel at home.

And we love investigating other people’s messiness.  Alongside our ‘traditional’ recitals, we create original inter-disciplinary projects, sometimes just with ourselves and our extra-musical interests, more often with inspiring and generous artists. So far, we’ve brought our music into conversation with dancers, directors, chefs, sommeliers, puppeteers, and graphic designers, and each time we collaborate, we understand the music that we play differently.

We've been encouraged in our explorations by the New England Conservatory in Boston and its visionary faculty. We’re grateful too, for other homes around the world: Yellow Barn, Snape Maltings, Avaloch Farm Institute, the Lake Champlain, Olympic, and Chesapeake Music Festivals, and the Fischoff Competition. Not to mention hundreds of welcoming venues and hosts around the US, Australia and the UK. We’re with Schwitters on this one: Art happens where people are. We hope you'll come along for the ride.

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