“Few operas arrive with such a fierce sense of purpose … MISSING is strongly anchored in well-drawn characters — in an entrancing and highly accomplished piece with a distinctive atmosphere resonating from an ancient, mystical world view.”
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“NOVA presents another side of Picker’s music, one that embraces complexity but sacrifices none of the directness of expression that characterizes his more recent music.”
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“The technique, professionalism, and musicianship of the choral groups—the Choir of Trinity Wall Street and Artefact Ensemble—are outstanding and the highlight of the recording, as are the soloists, all of whom appear to be featured members of the ensembles.”
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“Nova is a great retrospective of his work … This is a fascinating collection and one perfectly enjoyed with your morning coffee and, of course, a bagel with Nova lox.”
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Language Lesson from MISSING featured on Spotify New Classical.
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“Long is a passionate advocate for Indigenous artists. This is one of his many projects worth following for both its artistry and the way it can expand an understanding of the world.”
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“Current has written music that finds its way deep into your soul and continues to make its home there during the 78 minutes of music on this recording. Conductor Long, the Continuum Ensemble and the entire cast perform Missing beautifully.”
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You Don’t Look Like Yourself from MISSING featured on Spotify New Classical.
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"...an excellent CD on which Porter fully exploits the tonal qualities of the on-loan 1740 Carlo Bergonzi violin."
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Shane Shanahan interviewed for Celtic Life International.
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“This is a deeply emotional album that is both satisfying and stimulating.”
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Curtis J. Stewart’s Seasons of Change featured on Broadway World.
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Curtis J. Stewart’s Seasons of Change featured on Night After Night’s For The Record.
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Curtis J. Stewart’s Seasons of Change featured on The Violin Channel
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Ljova's Cellostatus featured on Modern Notebook.
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“This is an impressive piece that needs to be seen across Canada … It tackles a difficult and emotionally charged issue in a way that makes good theatre.”
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Shane Shanahan interviewed on the Jim Masters Show.
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“I love playing music that isn’t entirely legible to me right away. The process of translating and imbibing an unfamiliar work is absolutely delicious, and I hope to be able to do this in larger settings beyond solo violin.”
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Cellostatus featured on Night After Night’s For The Record
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Manusa and Cellostatus featured on ASCAP’s New Music Friday.
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