WHAT NOW | INTERVIEW: WBUR BOSTON

Mike Block Trio's adventurous 'What Now?' brings the cello to the backcountry

Charley Ruddell

October 03, 2022

Cellist-composer Mike Block explains an interesting concept to me: “There’s a strong improvisational tradition in Baroque music,” he says. “The notation was essentially a chord chart back then—we’re talking the 1600s, back then.” I’m intrigued; I’d usually associate these words—improvisation, chord charts—with jazz music, or R&B. But Block explains that even something so rigid as classical music has roots in a free form.

“Dieupart’s Sarabande,” a selection from Block’s latest release “What Now?”—released Sept. 30 as a trio featuring Joe K. Walsh on mandolin and vocals and bassist-vocalist Zachariah Hickman—embodies the improvisational tradition he is talking about. Block used the notation for the Sarabande, written by French composer Charles Dieupart, as a chord chart, meaning just the bare bones of the composition are notated, while the melody is up for interpretation. This extemporaneous approach, coupled with the novel combination of a mandolin, acoustic bass and cello, breathes a folksy, Appalachian life into the piece.

This is just one example of the idiosyncratic prowess of “What Now?”, an album brimming with worldly influence. Songs like “Highland Ridge” and “One Fine Day” are as rustic as their titles suggest, both twiddly and foot-stomping. “Medieval Winter in Muncie,” an ornate waltz of sorts, plays to Block’s classical roots, whereas the Brazilian folk of “Fla Flu” flexes a sturdy samba groove. “A-OK” and “Won’t Have to Wait” are driven by bouncy pop melodies. It’s clear that the trio want to leave no stone unturned, finding creative ways to interpret traditional music in unsophisticated, yet thoughtful ways.

Though Block, a Juilliard-trained cellist and former Yo-Yo Ma collaborator, cut his teeth in the classical music world, he finds solace and companionship with Walsh and Hickman through a shared love of bluegrass and Americana music. The origins of their friendships date back to the late aughts in the folk circuits of Boston; Block met Walsh at a party in 2007 (at the home of his future wife) and formed a bond through a jam session; Block met Hickman through the club scene. He says what he loves most about this trio is the playful tension between its collaborators, Walsh being “nice” and Hickman being “mischievous.” “What I appreciate about the trio is when we’re on stage I feel like I have an angel on one shoulder and a devil on the other,” he laughs.